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we are in control

sex violence and isolation in society are not an accident but also are not the product of any individual or group with supreme power. the power of an individual or subgroup to control population on a large scale no longer exists as it did during the world wars and the beginning of the cold war. with the proliferation of networked communication tools the power to control the masses through propaganda has obviously had many layers of complexity added to it. It is no longer possible to achieve predictable control by simply burning down the library and distributing new books or taking over the air waves with high flying bombers playing dis-information slogans in the local language. While it is still part of the process for these type of strategies to take place, there are many other factor that contribute to any individuals perspective.

When citing the correlation between sex and violence in the mainstream media and the rise in violent crime in the United States, it is not possible to conclude that if the channels of media distribution were banned from broadcasting those types of materials that there would also be a decrease in the rate of violent crimes in the general population. For various reasons there is a latency in the reactional demand in what is considered desirable content and the rate at which is can be produced and distributed, if we look back 50 years we can see that the time is takes for a demand for a particular brand of content to develop in a general audience more closely matched the time it took to develop and distribute that particular brand of content. this is no longer true, the latency is still much the same for the audience but the time required for production and distribution has been reduced to almost nothing. Add to this the fact that the financial entry barrier into the production and distribution of media on a global scale has also been reduced to almost nothing. so if there were a ban on any type of content that also happens to be in demand at the moment, there would be necessarily be a black market developed almost simultaneously to meet the demand. this is required by the mechanics of capitalism. so what we arrive at is a situation where control over the production and distribution of media is still the primary means of control over the general population but we now add to that two important new factors, firstly, that control is now only possible by consensus of the whole working together as a connected system rather than a deliberately organized affiliation and secondly that we can add to the list of what is media not just information but also communication as well. since the channels of distribution no longer one way streams, the particular aspects of communication are just as important if not more important that the information being communicated. and also since distribution is no longer one way there is no possible way to predictably control the actual information being communicated or to whom it is being communicated to. These factors ultimately add up to a situation where WE as a machine are the only entity who may be in control of the general population to an effective extent.

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virilio

 

Learning the new rules of perspective in the post 9-11 era requires an examination of some of the dynamics of informational distribution. A working understanding of the subtle nuances of these networks has been left primarily to the fields of commercial marketing and governmental control. To a general audience tactics of informational distribution has been for the most part unaddressed. While major media conglomerates are working hard everyday to sort out best practices in monetizing consumer-generated content the general population is still wondering what the ‘blog’ craze is all about. Even as we are now fully immersed in a rich world of virtual reality we try to maintain an illusion of some old fashioned top down scheme of informational distribution. This claim finds it’s proof in situations like anti-piracy or anti-terrorism propaganda. If there weren’t the illusion of a centralized control these concepts would be understood as obvious paradoxes. But as it stands leaders of the US and Al-Qaeda has both been quoted by the media in their assertion that we are in the midst of a full-scale information war. There hasn’t been a call for the everyday citizen to understand his or her position in the relational database that makes up the reality of today but it is as vital for the everyday man or woman to understand these new rules of informational network distribution as it is to any multinational advertisement campaigns (including US foreign policies in the middle east and else where). We need to take action now in order to be in step with the coming decades of information war that have already been initiated. Paul Virilio comments on the panoptic effect that has prompted this shift:

 

“…when there are over 5 million live-cams spread all over the world and several hundred million internet users capable of observing them simultaneously at their consoles, we shall see the first visual crash, and the so-called ‘television’ will then give way to the generalized tele-survalence of a world in which the famous virtual bubble of the financial markets will be supplanted by the visual bubble of the collective imaginary, with the attendant risk of the explosion of the information bomb announced back in the 1950’s by Albert Einstein himself.”1

 

 

When Paul Virilio wrote The Information Bomb in 1998, he couldn’t have known the extent of how networked communication would impact society, and while live-cams do not play such a crucial role as he may have anticipated I would agree that we have reached a point where reality is determined at the speed of informational transmission and that virtual reality is now an integral component of how we come to understand the world we live in. When he mentions the virtual bubble of the financial markets being supplanted by the visual bubble of the collective imaginary he is speaking not only of the real commodity of an active audience but also of the chaotic unpredictability of network dynamics. Control over networks of informational distribution is therefore of the utmost importance in determining how power is regulated. And just as there are tactics developed for stimulating organization in a normally chaotic stock market, the same hold true for networked communication in regards to the tracking and development of trends2. This is signifigant in the post 9-11 era where everything is now hyper documented to the point of being anticipated before the event is actuated. The event being commented on is second in importance to the amount of audience traffic one is able to command.

 

A major problem in this situation is that it is impossible to determine what is a mechanical failure or what is an intentional attack. Physical war has now become only a staged spectacle to be used exclusively by the informational networks as topic of conversation. An event like 9-11 is something that is mutually beneficial to all contributing interests in that it mobilizes change in the dynamics of the network. Who and how comes out on top is still not fully predictable but it is generally safe to assume that all trading takes place when the market is in flux. This new kind of trading takes place in the ‘visual bubble of the collective imaginary’ rather than the ‘virtual bubble of the financial markets’ and I believe that it is the small time day trading of amateurs still relatively unpracticed that will in the future make or brake the world power conglomerates.

 

When a protest of millions of people3 doesn’t make a dent in the informational flow of mass media news networks it is time to move action out of the real and into the virtual. If it were feasible for a working theory of network distribution to become common knowledge I am of the firm belief that a protest in the millions would make a more resounding impact because of its being relatively unused as a protest strategy. Virillio explains the character of our new environment when he talks about real time perspective:

To the three geometrical dimensions which previously determined the perception of the relief of real space is now added the third dimension of matter itself: after ‘mass’ and ‘energy’, the dimension of ‘information’ makes its entry into the history of reality, overlaying the real presence of things and places through the tele-surveillance and monitoring of the environment. At that point, far from setting the actual perspective of optical presence of the Quattrocento against the virtual perspective of electro-optic tele-presence, the real-time perspective of telecommunications combine the two, thus creating a ‘field effect’ in which the actual and the virtual together produce a new kind of relief.4

 

 

As it stands reality could be understood to be the stream of information that flows through the gate of a field effect transistor, where one side of the gate is made up of actual perspective and the other side of virtual perspective. The negotiation of the two halves of this gate are made in real time where the deciding factor is there for the speed of the transmission of information. Real-time perception. An understanding of the relationship between the actual and the virtual has to be developed in order for transmission speed to be optimized between the two. This is what is involved when advertising agencies work on strategies of viral content and also why the information that Google extracts from it’s user profiles as part of it’s end user licensing agreement is so valuable that it is now out pacing any other media market commodity. These kind of trends need to be followed by every individual in order to maintain control of his or her own position as an equal entity within a mesh network. It is not enough to perceive the changes that are happening around us, it is now necessary for us to take a proactive approach while there is still room for changes and development of this relatively new framework of perception.

1 Paul Virilio, The Information Bomb p.112, 1998

2 http://evolvingtrends.wordpress.com/2006/06/28/diggs-biggest-flaw-discovered/

3 http://news.bbc.co.uk/2/hi/europe/2765215.st

4 Paul Virilio, The Information Bomb p.119, 1998

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debord

In order to find some measure of perspective within our current situation of media saturation it is helpful to consider Guy Debord’s definition of the integrated spectacle in a revision to the Society of the Spectacle, Debord wrote Comments on the Society of the Spectacle in 1988 with one of the major revisions being the integrated spectacle. Originally in 1967 Debord distinguished two forms of spectacular power, the concentrated and the diffuse. Concentrated spectacle works off of ideology condensed around a dictatorial personality such as fascist and Stalinist totalitarian regimes, where diffuse spectacle applies to wage earners and their vast maze of choices in the realm commodities and consumption. Diffuse spectacle pertains to the Americanization of the world. From 1967 to 1988 a new kind of spectacle has developed as Debord points out, and that is the integrated spectacle:

Since then a third form has been established, through the rational combination off these two, and on the basis of a general victory of the form which had showed itself stronger: the diffuse. This is the integrated spectacle, which has since tended to impose itself globally1.

Debord goes on the explain that through a need by a monopoly of power to maintain control the integrated spectacle has evolved to incorporate both the concentrated and the diffuse and in the process has learnt to employ both of these qualities on a grander scale. And that it has integrated itself into reality to the same extent as it was describing it. As a result, this reality no longer confronts the integrated spectacle as something alien. Where with the concentrated and diffuse forms of spectacular society the interpretation of reality moved at a more manageable pace and there fore was much easier to control/manipulate, the integrated spectacular society has the tendency to move at it’s own governance and there fore strategies of action / reaction need to be adjusted in order to still be effective. Media status has now become the most important value in a framework of control that is based solely within the transfer of information and because of this can also be readily transferable just as currency is exchanged within a monetary control system2. The added emphasis of media status has in turn produced a conditioning within the spectator to the effect that the perception of the present state of reality can be effectively manufactured. This is accomplished through the use of fashion as a surrogate for an objective historical knowledge.

The manufacture of a present where fashion itself, from clothes to music has come to a halt, which wants to forget the past and no longer believes in the future, is achieved by the ceaseless circularity of information, always returning to the same short list of trivialities, passionately proclaimed as major discoveries3.

Various channels of media distribution are used in the proliferation of one immediacy after another to produce a constant state of now to the point that there is no room for yesterday or the day after tomorrow, creating in effect, a kind of noisy insignificance.

And even as the construction of history slips into obsolescence, contemporary events have become confined to their current state of unverifiable stories, unchecked statistics, unlikely explanations, untenable reasoning…These descriptions offered up by Debord as predictions way back in 1988 can now be seen as the regular state of affairs since September 2001. This can be explained by the fact that the only persons in a position to answer any questions on the validity or verifiability of fact are the media professionals who are under personal solidarity with the spectacle’s overall authority.

One aspect of the disappearance of all objective historical knowledge can be seen in the way that individual reputations have become malleable and alterable at will by those who control all information: information which is gathered and also an entirely different matter, information which is broadcast4.

We are now living in an age where world-changing events are decided on an individual’s character. What then are the implications of the fact that personal reputation is constantly demonstrated as a manufactured byproduct of the modes of media manufacture? When our only source for validation rides on the personal reputations of manufactured identities we are lost in a vacuum of our own design, under the assumption that we are able to maintain perfect control of our environment. It is not possible to perceive a reality outside of the scope of this media vacuum and therefore it is not possible to make critical observations that are unaffected by the ungrounded noise of the insignificance of this integrated spectacle. On the inside there is only now. When something is not maintained in the public eye it ceases to exist. That’s not to say that it cannot be resurrected, it is just temporally unconnected to the reality of the present. A similar situation can be observed with the present state of surveillance with in the central intelligence agencies of the United States of America. The integrated spectacle has managed to become so efficient that it has proven the CIA to be ineffective. The central intelligence agency, once the prime representative of surveillance and information manipulation can no longer keep pace with the rest of the spectacular society. There is simply too much information streaming through all the time and the resources are not available to sort and process everything. Since 2001 there has been the realization and proactive reformation of the central intelligence agencies in an effort to become once again compatible with the current flow of informational reality5. As Debord points out, once the running of a state involves a permanent and massive shortage of historical knowledge, that state can no longer be led strategically.

The integrated spectacular society is a state of permanent perpetual amnesia. We have become atomic media particles capable of carrying equal charge or discharge and freely exchangeable with anything person concept at anytime. Everything is now an equivalent because meaning and reality are contained not within the message but within the transmission of information.

The mesh network is made possible by a call and response protocol. While there may be nodes responsible for maintaining total connectivity, every particle of the network is required to respond in order to maintain the networks footprint. The footprint of a network is its measure of reality. Within the call and response protocol, it is not so much the content of the individual signal particles but the timing of the send and receive transaction that creates meaning. In order for two entities within a mesh network to establish connectivity the first thing that needs to be agreed on is the speed of transmission.

1 Debord, Guy L, Comments on the Society of the Spectacle, 1988, p.8

2 Debord, Guy L, Comments on the Society of the Spectacle, 1988, p.11

3 Debord, Guy L, Comments on the Society of the Spectacle, 1988, p.13

4 Debord, Guy L, Comments on the Society of the Spectacle, 1988, p.18

5 http://www.hoover.org/publications/digest/3058346.html

 

heres the original word doc: debord – comments on the society of the spectacle

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notes: Ctheory Interview With Paul Virilio

The first deterrence, nuclear deterrence, is presently being superseded by the second deterrence: a type of deterrence based on what I call ‘the information bomb’ associated with the new weaponry of information and communications technologies. Thus, in the very near future, and I stress this important point, it will no longer be war that is the continuation of politics by other means, it will be what I have dubbed ‘the integral accident’ that is the continuation of politics by other means.

John Armitage: In Speed & Politics: An Essay on Dromology, you write of the military and political revolution in transportation and information transmission. Indeed, for you, the speed of the military-industrial complex is the driving force of cultural and social development, or, as you put it in the book, ‘history progresses at the speed of its weapons systems’. In what ways do you think that speed politics played a role in the military and political conflict in Kosovo? For instance, was the speed of transportation and information transmission the most important factor in the war? Or, more generally, for you, is the military-industrial complex still the motor of history?

The important part of the title is not War and Cinema. It is the subtitle, The Logistics of Perception. As I said back in 1984, the idea of logistics is not only about oil, about ammunitions and supplies but also about images. Troops must be fed with ammunition and so on but also with information, with images, with visual intelligence. Without these elements troops cannot perform their duties properly. This is what is meant by the logistics of perception.

In this way, it seems to me that, since 1984, my book on the logistics of perception has been proved totally correct. For instance, almost every conflict since then has involved the logistics of perception, including the war in Lebanon, where Israel made use of cheap drones in order to track Yasser Arafat with the aim of killing him. If we look at the Gulf War, the same is also true. Indeed, my work on the logistics of perception and the Gulf War was so accurate that I was even asked to discuss it with high-ranking French military officers. They asked me: ‘how is it that you wrote that book in 1984 and now it’s happening for real?’ My answer was: ‘the problem is not mine but yours: you have not been doing your job properly!’

John Armitage: Let us turn to vision machines of a different variety. To what extent do you think that watching the Kosovo War on TV reduced us all to a state of Polar Inertia (1999 [1990]), to the status of Howard Hughes, the imprisoned and impotent state of what you call ‘technological monks’?

Are there any obvious strategies of resistance that can be deployed against the relentless advance of the technological strategies of deception?

Paul Virilio: Resistance is always possible! But we must engage in resistance first of all by developing the idea of a technological culture. However, at the present time, this idea is grossly underdeveloped. For example, we have developed an artistic and a literary culture. Nevertheless, the ideals of technological culture remain underdeveloped and therefore outside of popular culture and the practical ideals of democracy. This is also why society as a whole has no control over technological developments. And this is one of the gravest threats to democracy in the near future. It is, then, imperative to develop a democratic technological culture. Even among the elite, in government circles, technological culture is somewhat deficient. I could give examples of cabinet ministers, including defence ministers, who have no technological culture at all. In other words, what I am suggesting is that the hype generated by the publicity around the Internet and so on is not counter balanced by a political intelligence that is based on a technological culture. For instance, in 1999, Bill Gates not only published a new book on work at the speed of thought but also detailed how Microsoft’s ‘Falconview’ software would enable the destruction of bridges in Kosovo. Thus it is no longer a Caesar or a Napoleon who decides on the fate of any particular war but a piece of software! In short, the political intelligence of war and the political intelligence of society no longer penetrate the technoscientific world. Or, let us put it this way, technoscientific intelligence is presently insufficiently spread among society at large to enable us to interpret the sorts of technoscientific advances that are taking shape today.

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crit b firs blog post

The end of life as we know it, that’s the promise. It’s coming sooner or later, we all have to face up to reality. There’s going to be some big changes on the horizon. You think 911 is a big deal? Think the occupation of Iraq is a pretty big deal? How about Kim Jong II? Remember the Axis of Evil? Is this the beginning of a global religious war? Christians vs. the rest? And all the rest? We are the best! Who is who in here. All this is a dream, a big long hard sweaty dream. I just know it, I know it. Don’t forget August 6, 1945. Is this is the end of life as we know it. Where’s our Utopian dreams now. Wheres the life that technological seduction promised. Sure, this is always the end of life as we know it. We still dream of the technological singularity as the moment of release. Our souls co-mingle in mesh network of perfect harmonious signal processing. There is no desire except for peace and expansion. And we will all be there together. Me and you and Mr. President Bush/Cheney and Saddam and Osama Bin Laden. What about the Axis of Evil? Will they be there in heaven with us? When we all learn to just get along? And who do I believe? Am i supposed to vote, pay taxes, read the news or watch news television? Is there a difference between a christian from the Western World and a christian from the developing middle east. And what about the idea of developing? Weren’t Assyrians some of the first to use displays of power and military might to enforce the authority of their empire and also some of the first to evangelise Christianity in the middle east during the first centuries after the death of Christ? Any way what am I talking about? Where has my head gone? When is that singularity thing supposed to happen any way. I’m tired, I can’t take too much more of this accelerated information overload. Who’s behind all this any way. What happened to land fills and global warming. What happened to New Orleans? How does Noam Chomsky read so much all the time. That’s all he does is read and memorise his sources. Where are all these sources coming from? My iPod is too full. I can’t manage to see all the videos during my bus commute to and from work and now I have to watch some of them on youtube while I’m really supposed to be working, other wise when i sleep at night the videos I missed will be lost when my iPod updates. And speaking of updates I’m terribly worried about the new iPod’s that were just released, I got my iPod two weeks ago and then these new ones came out and I can’t really go and get another new one but I want one. I’m thinking of buying one any way and I can always sell my OLD one on ebay. I think there should be more videos in schools, and I think there should be a recycling program to give out all of Americas iPods to the people of Africa and other developing nations like Iraq maybe so that they too could enjoy the benefits of all they modern technology, after all we can’t afford as human beings and good morel members of the human race to leave behind anyone as we boldly move towards the technological future. Let go! Let’s go! Let’s go! We got to get more stuff, we need to make our selves bigger faster and stronger, I want to get those mother fuckers who bombed our country! I don’t want any of those terrorist thinking they can get us. I read that were developing an invisibility suit I think this kind of innovation is great and our country is the only place on earth that could come up with something like this but what I’m most concerned is how are we going to keep this kind of technology out of the hands of the terrorists? The evil one’s? What I really want to know is what am I supposed to do when I cant even take my iPod on the plane anymore? And what about contact lens solution? They could be taking explosive liquids onto the planes inside bottles of contact lens solution! What about the water supply? What if someone tried to contaminate the water supply in a major metropolitan area like L.A? We need to develop more advanced forms of technology! We need some kind of satellite dish that could find out when ever someone is thinking evil thoughts. That why I’m looking forward the the convergence of consciousness. Someday we will all know each others thoughts and feelings, and anytime someone tries to thinks something harmful or evil, we’ll know just who did it. Those terrorists are crazy!

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final for artwriting conference

Whatever crisis the roundtable discussion held by October magazine may be experiencing is deceptively not the crisis at hand in it’s larger sense. October magazine and the panel in discussion is primarily concerned with the status of Art criticism in the post-post-modern 21st century. They are raising questions about what will happen to art if there isn’t a critical voice to balance and moderate artistic evolution.

They are looking towards the entanglement of the mass media outlets with the Art world as one of the reasons for defuse perspectives of what may be the future of artistic development.

On a larger whole there are other crisises happening in all forms of creative communication in mass media and otherwise. The Art industry is by no way alone in its sense of crisis.

The standing rules governing our perception of consensus in regards to artistic evolution as a form of polarized advancement are outdated since the ubiquitous proliferation of digital creation and distribution.

I think it’s important to not that so-and-so in the round table discussion was bringing up the idea of the artist as critic. Where is it necessary for art to be made as a form of critical discourse? Is it possible to make art that is not critically invested?

When a critic comments on a work of art or an artist he is making and association. There is new work being made when a critic writes on art, or on any other subject. There is no doubt that the act of criticism is a form of art in itself. Criticism can and is any number of different things all at once. It is to act or react, to announce a voice, to try to make order out of chaos. There is nothing in criticism that ties it specifically to the topic of Art or the art industry. And there isn’t always the need to comment on an art industry, nor has there always been an Art industry.

If there seems to be a crisis in regards to what happened to Art criticism maybe that perceived crisis is that it is becoming no longer necessary to comment on art within the context of the gallery or the museum. Perhaps the crisis perceived is that critical discourse seems to be disappearing from the Art industry. That may be true, but surely critical energy cannot be disappearing from existence. Interest in discourse with in human society does not simply dissolve.  It may evolve. The emptiness, the perceived lack in critical engagement in Art is misinterpretation of simply a migration in critical interest. Critical interest formally invested in the Art industry must have gone somewhere. People have not simply gone to sleep, ceased to care for any form of thinking beyond simple gratification. We are human, to be human is to have the ability to think critically and make judgments. If there is a lack in critical discourse in the Art industry it is because art is not happening there. Art will continue to happen with or with out the Art industry, and there will always be a critical discourse surrounding the practice of art making, but its involvement with the art industry is not a guarantee. The need for a journal of art criticism that focuses on writing in an academic language is not always going to be necessary, and in light of the tension being felt by the participants of the October magazine roundtable discussion, it seems that moment is upon us. Where has critical thought gone? Where is critical thought needed, wherever that may be that is also probably where artistic creation will collect.

The crisis of Art criticism is the pain of eviction notice. It is the realization on the part of all art critics that if they want their work to matter they’re going to have to relocate. And their probable relocation is into the field of media criticism. And that probably doesn’t sound too appealing.

Listening in on the discussion at October magazine and without any outside information you could come to the sense that they are discussing the end of art making practicing in general. That without proper Art criticism happening then the health of art making as a whole is threatened. That art could suffer so as to not exist any further into the future. The participants of the discussion are all familiar with ideas like “the end of the history of art” weather or not they agree with that kind of concept is not important. It is that they have to admit those concepts into discussion that is interesting to look at. There is no end to art history. The crisis in art criticism is an economic crisis. The root of the discussion is trying to find out why the work of writing criticism within the Art industry is economically obsolete. I suspect the reason for this is because the Art industry is able to operate more efficiently without promoting a critical discourse. Now that’s not to say that there isn’t art or critical discourse on the topic of art happing out side of the Art industry. It’s just that it’s happening in new territories that may seem unrecognizable at the moment.

Ultimately it doesn’t matter what the round table at October magazine comes up with. There is not committee that decides where critical thinking will congregate. There is no committee that decides where creative energy will manifest. There is no telling where art matters tomorrow. The mistake is in thinking that if art doesn’t matter in the gallery anymore that art somehow doesn’t matter at all. But this is a dire mistake for only those who perceive it, because regardless of who thinks art or critical discourse is over, it will still continue to exist outside of their perception.

The political and social impact of digital tools and networks is excessively complicated to un-pack. It’s too early in it’s development to try and decipher the new rules of a digital era, but one thing that is becoming self evident. There may not be a need for a critical voice to safe guard the aesthetic of Art and it’s evolution in our ubiquitously networked future. What is important is not what happened to art criticism, what is important is where is criticism useful right now and where will it be useful in the coming future.

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Mathew Barney’s Drawing Restraint 8: Galena Summit

Graphite and watercolor on paper, rotomolded polycarbonate frames, nylon fiber, acrylic, and vavac.

An elaborately constructed table case made from molded green plastic is the display for a collection of six framed works on paper done in a watercolor and graphite. The case is also decorated worth green nylon flocking meant to look like mold. The table case is in a set of six, all similar in description. They are arranged in a pyramid formation with Galena Summit at the front. Like most of works on display here the case is mean to be an integral component of the total effect. Great effort on Barney’s part put towards the decoration of the display that contains the works on paper. That effort is forced into observation by the fact that the works on paper themselves are nothing more than sketches or even stains from the watercolor. They are almost completely empty. Something you might flip past in an amateur artist’s sketch book and think nothing of except that it may be unfinished or a mistake. what would normally be the focus of attention in a traditional art on display scenario are these empty worthless sketches worth no ones attention. Framed in an elaborate case with materials and production costs of disgusting magnitude, people continuously circle round peering into the case searching for what could be deserving of such lavish adornment and all they find is nothing. No one smiles, no one knows what to make of it. what a waste. The documents of some historical figure might be on display in an equally elaborate table case. The sketches and letters of Howard Heughs of Mayalin Monroe in this type of elaborate display. An attempt at preservation of some random scribble or note valued not for the content but the hand that created it. Save as a historical novelty. So that in the future when Heughs or Monroe has gone on to eternal legendary status people can come visit their respective musem/memorial and see for themselves what their hand writing looked like. That paper was touched by their hand. An artifact of a legend. But in the case with Barney and his Galena Summit, what are we looking at? Why do we care about Mathew Barney’s doodles? Is it the absorbent amount of money that was wasted on the production? Are we supposed to peer into the case and wonder why thousands of dollars were wasted on the preservation of some meaningless uninspired scribbles? Are we supposed to be impressed that Mathew Barney is supposed to be so important? I have heard his work described as costume drama, I find this an adequate description for a piece like this. Like an empty jeweler’s case, we are left to marvel at the production costs of the case it self. This confounding presence of such an accidental by-product of the progressively degenerative cycle of high art elitism. What do we make of it? That’s the kind of work being done here, spending so much in money and resources with nothing much done towards creating any kind of useful relevant meaning to redeem us after the confusion were put through. The work of creating real meaning is left to some other unnamed person whose not yet arrived on the scene. What’s in that case? Oh, it’s nothing. Galena Summit is a testament to overpriced high tech outsourcing, Mathew Barney might have proved more useful if he would have became a doctor.

–David Elliott

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rough draft last essay

We are at a time where there are no singular truths any more. Reality is what we make of it. There is a strong demand for a myth that can help us to manage and control our information power. The Cyborg Manifesto aims to do just that.

The Cyborg Manifesto has a considerable flexibility in it’s determination to reject a polarized singular, universal truth in favor of polymorphic affinitive networks between multiple parallel truths.

Donna Haraway in her opening statement claims:

“This chapter is an effort to build an ironic political myth faithful to feminism, socialism, and materialism. Perhaps more faithful as blasphemy is faithful, than as reverent worship and identification.” [P.149]

But then she adds further down the same page, “Blasphemy is not apostasy.” [P.149] There are no rules anymore. We will not follow old rules designed for oppression; we will not make new rules destined for oppression. There are now only my rules. Local and visible only within my own boundaries. I will build myself out of the rubble of the old world. Construct myself into a hybrid of components specially organized to suit my world.

“At the center of my ironic faith, my blasphemy is the image of the cyborg.”[P.149]

What is a cyborg? It’s what we’ve become. We made ourselves out of bits of technology. We define our self as a composite of subcomponents.

“A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social relations, our most important political construction, a world-changing fiction.” [P.149]

This moment of massive individual reconstruction affords each one of us the opportunity for liberation through the construction of consciousness. We are in a time where our fantasy becomes a social reality through networked propagation. Donna Haraway is making an argument that our social and bodily reality is a resource for imaginative apprehension. Cyborg politics reverberated through social networks has superseded our physical reality.

“The cyborg is our ontology; it gives us our politics. The cyborg is a condensed image of both imagination and material reality, the two joined centers structuring any possibility of historical transformation.” [P.150]

It was previously confusing to think of “machine” and “organism” as separate and discrete entities struggling against each other. There was never any difference beyond our own perception. We perceive ourselves to be different from machine because it was productive in the past to do so. The border between machine and organism was an imaginary boundary designed in an effort to maximize productivity. This Cyborg Manifesto signifies the end of that era. A new time is upon us and illusionary boundaries are free to be broken down and reassembled as we please.

“This chapter is and argument for pleasure in the confusion of boundaries and for responsibility in their construction.” [P.150]

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quotes from the cyborg manifesto

This chapter is an effort to build an ironic political myth faithful to feminism, socialism, and materialism. Perhaps more faithful as blasphemy is faithful, than as reverent worship and identification. [P.150]

Blasphemy is not apostasy. [P.149]

Irony is about humor and serious play. [P.149]

At the center of my ironic faith, my blasphemy is the image of the cyborg. [P.149]

A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social relations, our most important political construction, a world-changing fiction. [P.149]

Liberation rests on the construction of the consciousness, the imaginative apprehension, of oppression, and so of possibility. [P.149]

…the boundary between science fiction and social reality is an optical illusion. [P.149]

Modern production seems like a dream of cyborg colonization work. [P.149]

I am making an argument for the cyborg as a fiction mapping our social and bodily reality and as an imaginative resource suggesting some very fruitful couplings. Michael Foucault’s biopolitics is a flaccid premonition of cyborg politics, a very open field. [P.150]

The cyborg is our ontology; it gives us our politics. The cyborg is a condensed image of both imagination and material reality, the two joined centers structuring any possibility of historical transformation. [P.150]

…the relation between organism and machine has been a border war. [P.150]

This chapter is and argument for pleasure in the confusion of boundaries and for responsibility in their construction. [P.150]

In a sense, the cyborg has no origin story in the western sense—a ‘final’ irony since the cyborg is also the awful apocalyptic telos of the ‘West’s’ escalating dominations of abstract individuation, an ultimate self untied at last from all dependency, a man in space. [P.150]

The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of retuning to dust. [P.151]

The main trouble with cyborgs, of course, is that they are the illegitimate offspring of militarism and patriarchal capitalism, not to mention state socialism. But illegitimate offspring are often exceedingly unfaithful to their origins. Their fathers, after all, are inessential. [P.151]

Three crucial boundary breakdowns that make the following political-fictional (political-scientific) analysis possible. By the late twentieth century in the United States scientific culture, the boundary between human and animal is thoroughly breached. The last beachheads of uniqueness have been polluted if not turned into amusement parks—language, tool use, social behavior, mental events, nothing really convincingly settles the separation of human and animal. And in many people no longer feel the need for such a separation; indeed, many branches of feminist culture affirm the pleasure of connection of human and other living creatures. Movements for animal rights are not irrational denials of human uniqueness; they are a clear-sighted recognition of connection across the discredited breach of nature and culture. [P.151-152]

Late twentieth-century machines have made thoroughly ambiguous the difference between natural and artificial, mind and body, self-developing and externally designed, and many other distinctions that used to apply to organisms and machines. Our machines are disturbingly lively, and we ourselves frighteningly inert. [P.152]

…the boundary between the physical and non-physical is very imprecise for us. Pop physics books on the consequences of quantum theory and the indeterminacy principal are a kind of popular scientific equivalent to Harlequin romances as a marker of radical change in American white heterosexuality: they get it wrong, but they are on the right subject. [P.153]

Our best machines are made of sunshine; they are all light and clean because they are nothing but signals, electromagnetic waves, a section of a spectrum, and these machines are eminently portable, mobile—a mater of immense human pain in Detroit and Singapore. People are nowhere near so fluid, being both material and opaque. Cyborgs are ether, quintessence. [P.153]

The new machines are so clean and light. Their engineers are sun-worshipers mediating a new scientific revolution associated with the night dream of post-industrial society. [P.153-154]

From another perspective, a cyborg world might be about lived social and bodily realities in which people are not afraid of their joint kinship with animals and machines, not afraid of permanently partial identities and contradictory standpoints. [P.154]

There is not even such a state as ‘being’ female, itself a highly complex category constructed in contested sexual scientific discourses and other social practices. Gender, race, or class-consciousness is an achievement forced on us by the terrible historical experience of the contradictory social realities of patriarchy, colonialism, and capitalism. [P.154]

–affinity not identity [P.154]

The theoretical and practical struggle against unity-through-domination or unity-through-incorporation ironically not only undermines the justification for patriarchy, colonialism, humanism, positivism, essentialism, scientism, and other unlamented –isms, but all claims for an organic or natural standpoint. [P.157]

Abstraction and illusion rule in knowledge, domination rules in practice. Labor is the pre-eminently privileged category enabling the Marxist to overcome illusion and find that point of view which is necessary for changing the world. Labor is the humanizing activity that make man; labor is an ontological category permitting the knowledge of a subject and so the knowledge of subjugation and alienation. [P.158]

MacKinnon’s theory eliminates some of the difficulties built into humanist revolutionary subjects, but at the cost of radical reductionism. [P.159]

Beyond either difficulties or the contributions in the argument of any one author, neither Marxist nor radical feminist points of view have tended to embrace the status of a partial explanation; both were regularly constituted as totalities. [P.160]

It is no accident that the symbolic system of the family of man – and so the essence of woman – breaks up at the same moment that networks of connection among people on the planet are unprecedentedly multiple, pregnant, and complex. [P.160]

But in the consciousness of our failures, we risk lapsing into boundless differences and giving up on the confusing task of making partial, real connection. [P.160-161]

…we are living through a movement from an organic, industrial society to a polymorphous, information system – from all work to all play, a deadly game. [P.161]

In relation to objects like biotic components, one must think not in terms of essential properties, but in terms of design, boundary constraints, rates of flows, system logics, costs of lowering constraints. [P.162]

Ideologies of sexual reproduction can no longer reasonably call on the notions of sex and sex role as organic aspects in natural objects like organisms and families. Such reasoning will be unmasked as irrational, and ironically corporate executives reading Playboy and anti-porn radical feminists will make strange bedfellows in jointly unmasking the irrationalism. [P.162]

One should expect control strategies to concentrate on boundary conditions and interfaces, on rates of flow across boundaries – and not on the integrity of natural objects. [P.163]

Control strategies will be formulated in terms of rates, costs of constraints, degrees of freedom. Human beings, like any other component or subsystem, must be localized in a system architecture whose basic modes of operation are probabilistic, statistical. No objects, spaces, or bodies are sacred in themselves; any component can be interfaced with any other if the proper standard. The proper code can be constructed for processing signals in a common language. [P.163]

The privileged pathology affecting all kinds of components in this universe is stress – communications breakdown (Hogness, 1983). The cyborg is not subject to Foucault’s biopolitics; the cyborg simulates politics, a much more potent field of operations. [P.163]

The dichotomies between mind and body, animal and human, organism and machine, public and private, nature and culture, men and women, primitive and civilized are all in question ideologically. [P.163]

One important route for reconstructing socialist-feminist politics is through theory and practice addressed to the social relations of science and technology, including crucially the systems of myth and meanings structuring our imaginations. The cyborg is a kind of disassembled and reassembled, postmodern collective personal self. [P.163]

Technologies and scientific discourses can be partially understood as a formalizations, i.e., as frozen moments, of the fluid social interactions constituting them, but they should also be viewed as instruments for enforcing them, but they should also be viewed as instruments for enforcing meanings. [P.164]

In each case, solution to the key questions rests on a theory of language and control; the key operation is determining the rates, directions, and probabilities of glow of a quantity called information. The world is subdivided by boundaries differentially permeable to information. Information is just that kind of quantifiable element (unit, basis of unity) which allows universal translation, and so unhindered instrumental power (called effective communication) [P.164]

C3I, command-control-communication-intelligence, the military’s symbol for it’s operations theory. [P.164]

Biotechnology, a writing technology, informs research broadly. In a sense, organisms have ceased to exist as objects of knowledge, giving way to biotic components, i.e., special kinds of information-processing devices. [P.164]

Microelectronics mediates the translations of labor into robotics and word processing, sex into genetic engineering and reproductive technologies, and mind into artificial intelligence and decision procedures. [P.165]

Deskilling is an old strategy newly applicable to formerly privileged workers. [P.166]

Teenage women in industrializing areas of the Third World increasingly find themselves the sole or major source of a cash wage for their families, while access to land is ever more problematic. These developments must have major consequences in the psychodynamics and politics of gender and race. [P.167]

The new communications technologies are fundamental to the eradication of ‘public life’ for everyone. This facilitates the mushrooming of a permanent high-tech military establishment at the cultural and economic expense of most people, but especially of women. Technologies like video games and highly miniaturized televisions seem crucial to production of modern forms of ‘private life’. The culture of video games is heavily orientated to individual competition and extraterrestrial warfare. [P.168]

These are the technologies that promise ultimate mobility and perfect exchange – and incidentally enable tourism, that perfect practice of mobility and exchange, to emerge as one of the world’s larges single industries. [P.168]

Another critical aspect of the social relations of the new technologies is the reformulation of expectations, culture, work, and reproduction for the large scientific and technical work force. A major social and political danger is the formation of a strongly bimodal social structure, with the masses of women and men of all ethnic groups, but especially people of color, confined to a homework economy, illiteracy of several varieties, and a general redundancy and impotence, controlled by high-tech repressive apparatuses ranging from entertainment to surveillance and disappearance. An adequate socialist feminist politics should address women in the privileged occupational categories, and particularly in the production of science and technology that constructs scientific-technical discourses, processes, and objects. [P.169]

I prefer a network ideological image, suggesting the profusion of spaces and identities and the permeability of boundaries in the personal body and in the body politic. ‘Networking’ is both a feminist practice and a multinational corporate strategy – weaving is for oppositional cyborgs. [P.170]

There is no way to read the following list from a standpoint of ‘identification’, of a unitary self. The issue is dispersion. The task is to survive in the diaspora. [P.170]

…close integration of privatization of material and ideological life and culture; close integration of privatization and materialization, the high-tech forms of bourgeois capitalist personal and public life; invisibility of different social groups to each other, linked to psychological mechanisms of belief in abstract enemies. [P.171]

Deepening coupling of high-tech capital needs and public education at all levels, differentiated by race, class, and gender; managerial classes involved in educational reform and refunding at the cost of remaining progressive educational democratic structures for children and teachers; education for the mass ignorance and repression in technocratic and militarized culture; growing anti-science mystery cults in dissenting and radical political movements; continued relative scientific illiteracy among white women and people of color; growing industrial direction of education (especially higher education) by science-based multinationals (particularly in electronics—and biotechnology-dependant companies); highly educated, numerous elites in a progressively bimodal society. [P.171]

Intensified machine-body relations; renegotiations of public metaphors which channel personal experience of the body, particularly in relation to reproduction, immune system functions, and ‘stress’ phenomena; intensification of reproductive politics in response to world historical implications or women’s unrealized, potential control of their relation to reproduction [P.172]

The only way to characterize the informatics of domination is as a massive intensification of insecurity and cultural impoverishment, with common failure of subsistence networks for the most vulnerable. [P.172]

The structural rearrangements related to the social relations of science and technology evoke strong ambivalence. [P.172]

…most Marxism see domination best and have trouble understanding what can only look like gales consciousness and people’s complicity in their own domination in late capitalism. It is crucial to remember that what is lost, perhaps especially from women’s points of view, is often virulent forms of oppression, nostalgically naturalized in the face of current violation. Ambivalence towards the disrupted unities mediated by high-tech culture requires not sorting consciousness into categories of ‘clear-sighted critique grounding a solid political epistemology’ versus ‘manipulated false consciousness’, but subtle understanding of emerging pleasures, experiences, and powers with serious potential for changing the rules of the game. [P.172-173]

…what people are experiencing is not transparently clear, and we lack sufficiently subtle connections for collectively building effective theories of experience. [P.173]

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testimonial from a guardian family of the zoo

“The San Francisco Zoo is in a unique position to make incredible things happen to you. When you’re on the recieveing end of a behind-the -scenes tour or watching the long purple tongue of a giraffe come down to grab acacia leaves from your hand, it affects you profoundly. Our participation in these activities as Guardians has resulted in our becoming more involved and has deepened our relationship with those involved in the administration of the Zoo. The Zoo insn’t just an entertainment venue, it provides a direct connection to wildlife. There’s nothing like looking eye to eye with a polar bear or a gorilla. In some ways, you’re seeing a mirror image of yourself, and these animals are no longer ‘objects’ but something related to you. In an increasingly urban society, we need these direct connections with wildlife to inspire the kind of empathy that reminds us of our interconnectedness. Zoo animals become ambassadors for animals in the wild and remind us of the need to protect the wild places so that they can survive. We donate to the Zoo because we feel it is an investment in an important part of our community. We get so much from it that we want to give back.”

– Violet and Evan Brooks

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links to the WWW